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TonyWang's Peking Opera本篇目錄


Chinese Opera Reading List
Buck, Pearl S., trans. All Men Are Brothers. Rev. ed. Taipei: Hsin Lou Publishing
Crump, J.I. Chinese Theatre in the Days of Kublai Khan. Tucson: University of Arizona Press
Dolby, William. A History of Chinese Drama. New York: Hatper and Row Eight Chinese Plays. New York: Columbia University Press I978
Fu Qifeng. Chinese Acrobatics through the Ages. Beijing: Foreign Languages Press 1985
Gao Ming. The Lute. Translated by Jean Mulligan. New York: Columbia University Press 1980
Hsu Tao-Ching. The Chinese Conception of the Theatre. Seattle: University of Washington Press I985
Hung, Josephine Huang. Classical Chinese Plays. Taipei: Mei Ya Publications 1972
Lo Kuan-chung. Romance of the Three Kingdoms. Translated by C.H.
Brewitt-Taylor. Chinese Classics Series in English. Taipei: Caves
Publishing 1925 Mackerras, Colin. Chinese Drama: A Historical
Approach. Beijing: New World Press 1990
--. Chinese Theater. Honolulu: University of Hawaii Press 1983
--. The Chinese Theatre in Modern Times. London: Thames and Hudson x975 Tsao Hsueh Chin.
Dream of the Red Chamber. Translated by Chi-Chen Wang. New York: Twayne Publishers 1958
Tung, Constantine, and Colin Mackerras. Drama in the People's Republic of China. Albany: State University of New York Press 1987
Wang Kefan. The History of Chinese Dance. Beijing: Foreign Languages Press 1985
Wu Ch'eng-en. Monkey. Translated by Arthur Waley. John Day Company. New York: Grove Press 1943
The following material is provided by Wang Ying
Alley, Rewi Peking Opera: An Introduction Through Pictures, New World Press, Peking, 1957
Arlington, Lewis Charles The Chinese drama from Earliest Times Untill Today, Kelly& Walsh, Ltd., Shanghai, 1930 With Acton, Harold, tras.and ed. Famous Chinese Plays, Peking, 1937
Bailey, Roger B. Guide to Chinese Poetry & Drama--the Asian Literature Bibliography Series, G.K. Hall, Boston, 1973
Batchelder, Marjorie Rod Puppets & the Human Theater, Columbus, 1947
Birch, Cyril The Peony Pavilion, Indiana University Press, Bollmington, 1980
Scenes for Mandarins: The Elite Theater of the Ming, Columbia University Press, New York, 1995
"Some Concerns and Methods of Ming chuan-ch'I Drama," Studies in Chinese Literary Genres, ed. Cyril Birch, University of California Press, Cyril Birch, 1974
Bodde, Derk Festivals in Classical China, Princeton, 1975
Bowers, Faubion Theatre in the East (1956), Brove Press, NY 1960
Brandon, James Theatre in Southeast Asia, Cambridge, MA, 1967
Brockett, Oscar G., History of the Theatre, 7th edition, S Simon & Schuster Compary, Massachusetts, 1995 ( history of western theater)
Buss, Kate Studies in the Chinese Drama, NY 1930
Caroselli, Susan ed. Quest for Eternity: Chinese Sculptures From the People's Republic of China, London, 1987
Chang, H.C., Chinese Literature: Populare Fiction & Drama, Edinburgh University Press, Edinburgh, 1973
Chen, Jack The Chinese Theater, London, 1940
The Chinese Theater, International Theater and Cinema, Dobson, London, 1949
Ch'en Ch'i-t'ung "Cheers for Revolutionary Peking Opera on Contemporary Themes," SCMM (Selections from China Mainland Magazines, HK), 435 (Sep.22, 1964), 23-27
Chiang Chi'ing On the Revolution of Peking Opera, Foreign Languages Press, Peking, 1968
Ching Chung-hwa "The Chinese Theater in Western Europe," CR (China Reconstructs, Peking) , XIII, xii (Dec.1964), 16-18
Chou Hsin-fang "Peking Opera Enters New Era: A Discussion by Nine Artistes," CR, XIII, ix (Sep.1964), 2-11
Chu Chia-chien The Chinese Theater, London, 1922
Chung-wen, Shih The Golden Age of Chinese Drama: Yuan Tsa-chu, Princeton Unvi. Press, 1976
Clark, Barrett Harper World Drama: Ancient Greece, Rome, India,
China, Japan, Medieval Europe, and England, Dover, NY, 1933
Cornaby, W. Arthur "Notes on the Chinese Drama and Ancient Choral Dances," New China Review, vol. I, No.6, p.57
Craig, Edward G. On the Art of Theatre , London, 1914
Crump, J. I. "Giants in the Earth: Yuan Drama as Seen by Ming Critics," in Chinese and Japanese Music Dramas, edited by J.I. Crump and William P. Malm, Univ.of Michigan, Ann Arbor, 1975, pp.1-63
Daniel Shih-p'eng, Yang The Traditional Theatre of China in Its Contemporary Setting: An Examination of the Patterns of Change Within the Peking Theatre Since 1949, the Univ.of Wisconsin (Ph.D. thesis), 1968
An Annotated Bibliography of Materials for the Study of the Peking Theater, Wisconsin China Series, no.2, Madison, 1967
Dolby, William A History of Chinese Drama, Harper & Row Publishers, NY, 1976
"The Origins of Chinese Puppetry", Journal of the School of Oriental and African Studies 4, 1:97-120, 1978
Eberhard, Wolfram "Oracle & the Theater in China," in Studies in Chinese Folklore & Related Essays, ed. Wolfram Eberhard, Bloomington, 1970 A Dictionary of Chinese Symbole, London, 1986
Ernst, Earle "The Case for Oriental-Western Theater Study," Supplement to Yearbook of Comparative and General Literature (1962), 177-182
Fischer-Lichte, Erika, Josephine Riley & Michael Gissenwehrer, eds.
The Dramatic Touch of Difference, Theatre, Own & Foreign, Tubingen, 1990
Frankel, Ch'ung-ho Chang " The Practice of K'un-ch'un Singing from the 1920 to the 1960," Chinoperl Papers 6 (1976), pp. 82-92
Gamble, S.D. ed. Chinese Village Plays, Philo Press, Amsterdam, 1970, Schram, NY, 1972
George, David E.R. "Ritual Drama: Between Mysticism & Magic," Asian Theatre Journal 4, 2 (Fall), 127-66
Giles, Herbert A. A Chinese Biographical Dictionary
Grant, Shen Guangren Theater Performance During the Ming Dynasty, Ph.D. thesis, Univ. of Hawaii, 1994
Halson, Elizabeth Peking Opera: a Short Guide, Oxford Univ.,Hong Kong, NY., 1966
Ho Ming "The Promotion of Modern Plays," SCMM, 407 (March 9, 1964), 28-31
Howard, Roger Contemporary Chinese Theater , Heinemann, London, c1978
Hsieh Hsuan "In Re-writing a Play, Can We Change Its Main Theme?" SCMM, 389 (Nov.4, 1963), 6-9
Hsein-kuan Ann-Marie Hsuing Seeking Women in Pre-modern Chinese Tests: A Feminist Re-vision of Ming Drama (1368-1644), Ph.D.thesis, Unvi. Of Hawaii, 1995
Hsiao Ch'ien "Ibsen in China (And the Chinese Annoyance at Bernard Shaw)", in his The Dragon Beards versus the Blueprints, Pilot Press, London, 1944
Hsu, Tao-Ching The Chinese Conception of Theatre, Seattle, 1985
Hopkins, L.C. "The Shaman or Wu: A Study in Graphic Camouflage", New China Review, 2, 5 (Oct.) 1920
"The Shaman or Chinese wu: His Inspired Dancing & Versatile Character", Journal of the Royal Asiatic Society: 3-6, 1945
Hua Fu "Curses Are Vain: Refuting the Slanden of Imperialists and Revisionists on Our Dramatic Work," SCMM, 437 (Oct.5, 1964),1- 6
Huang Tsung-ying "Masters of Life, Masters of the Stage: Random Thoughts on the Extensive Production of Modern Plays," SCMM (Mar. 16, 1964), 37-41
Huang Shang Tales from Peking Opera (1st ed.), New World Press, Beijing, 1985
Hung, Jasephine Huang Chinese Drama-Ming Dynasty, 1368-1644--History & Criticism, Heritage Press, Taipei, 1966
Idema, Wilt & Stephen H. West Chinese Theater 1100-1450: A Source Book, Franz Steiner Verlag, Wiesbaden, 1982 Ed.& trans. The Moon and the Zither: The Story of the Western Wing by Wang Shifu, Berkeley, 1991
Jiang Tsui-fen Gender Reversal: Women in Chinese Drama Under Mongo Rule (1234-1368), Ph.D. thesis, Univ. of Washington, (Microfilms), 1991
Johnson, David, ed. Ritual Opera" Operatic Ritual, Mu-lien Rescues His Mother in Chinese Popular Culture, Oakland, 1989
Johnston, R.F. The Chinese Drama, Shanghai, 1921
Judd, Ellen Ruth Revolution in the Theater in the P.R.China,
Kalvodova-sis-Vanis Chinese Theater, Spring Books, London, n.d. 1957
Kagan, Alan Lloyd Cantonese Puppet Theatre: An Operatic tradition & its Roots in the Chinese Belief System, Ann Arbor (Ph.D. thesis), 1978
Keng Jen-hsin "New Heroes on the Peking Opera Stage," CR, XIII, viii (1964), 2-5
Kleist, Heinrich von "A Marionette Theatre," trans. Dorothea McCollester, Theater Arts Monthly, July, 476-84
Ko Ching-shih "The Class Basis of Chinese Drama", Cluture & Agitation: Theater Documents, Action Books, London, 1972
K'o Ch'ing-shih "A Flourishing Theater to Serve the Socialist Economic Base," Peking Review, VII (Aug.28, 1964), 14-26
Kuo Han-cheng "New Development in the Traditional Chinese Theater," CL(Chinese Literature), I (1960), 127-139 "On the Adaptation of China's Classical Drama," CL, XII (Dec.1962), 100-108
Lammer, Raymond John An Analysis of A Representative Sample of Plays Written and Used for Propagandistic Purposes by the Chinese Communists, (Ph.D. thesis), Univ.of Minnesota, 1962
Latsch, Marie-Luise Peking Opera as An European Sees It, New World Press, Beijing, 1980
Leung, K. C. Hsu Wei as Drama Critic: An Annotated Translation of the Nan-tz'u hsu-lu, Univ. of Oregon, Eugene, 1988
Li Ruru "Chinese Traditional Theater & Shakespeare," Asian Theatre Journal 5, 1 Spring 1988: 38-49
Li Ch'I "Firmly Carry the Revolution of Peking Opera to the End," SCMM, 435 (Sep.22, 1964), 28-33
Liu, James J. Y. "Elizabethan & Yuan, a Brief Comparison of Some Conventions in Poetic Drama," Occasional Papers of the China Society, London, no.8, 1955, 1-12
Liu, Hon-sheng "Re-writing Is A Good Measure for the Enrichment of New Dramatic Repertoire, " SCMM, 389 (Nov.4, 1963), 10-14
Liu, Marjorie Bang-ray "The Influence of Tonal Speech on K'un-ch'u Opera Style" Selected Reports in Ethnomusicology, 2.1 (1974), pp. 63-86
Long, Roger Character Development in Contemporary Communist Chinese Drama, (Master's thesis), Michigan State Univ. 1966
Lopes, Manuel D. Chinese Drama: An Annotated Bibliography of Commentary, Criticism, and Plays in English Translation, Scarecorow Press, N.J., 1991
Lu Ting-yi "For More and Finer Peking Operas on Contemporary Themes" Peking Review, VII (June12, 1964), 7-9
MacKerras, Colin Amateur Theatre in China 1949-1966 Canberra, Australian National Univ. Press Contemporary China Papers #5, 1973 inese Theater: from Its Origins to the Present Day, Univ. of awaii Press, Honolulu, 1983
The Chinese Theater in Modern Times From 1840 to the Present Day, London, 1975
The Rise of the Peking Opera: 1770-1870: Social Aspects of theeater in Manchu China , NY and Oxford, Oxford Univ. Press, 972
"The Growth of Chinese Regional Drama in the Ming & Ch'ing", Journal of Oriental Studies, Hong Kong Unvi.1971, vol.9, no.1, pp.58-91
"Chinese Opera after the Cultural Revolution (1970-72)," The China Quarterly, London, no.55, July-September 1973, pp. 478-510
The Theater in Asian, London, 1972, NY 1973 Ed.
Drama in the People's Republic of China, state Univ. of NY Press, Albany, 1987 (Selected papers presented at the Inter national Colloquium on Contemporary Chinese Drama and theater, held at the State Unive. Of NY at Buffalo, Oct. 15-19, 1984)
Peking Opera: Images of Asia, Oxford Univ. Press HK, NY, 1997
Mair, Victor H. T'ang Transformation Tests: A Study of the Buddhist Contribution to the Rise of Vernacular Fiction and Drama in China, Cambridge, MA, 1989
Meserve, Walter J Modern Drama from Communist China, NY. 1970
Misumi, Haruo, gamo Satoaki & Hata Hisashi, eds. Masked Performances in Asia, Tokyo, 1987
Mohr, Charles "Opera Rewritten by Mao's Wife in Rift with Liu over Party Line,' New York Times, June 2, 1967
Moule, A.C. "A List of the Musical & other Sounding Instruments of the Chinese," Journal of the North-China Branch of the Royal Asiatic Sociey, Vol. XXXIX, 1908
Nivat, Dhani "The Shadow Play as A Possible Origin of the Masked Play, "Journal of the Asian Society 37, 1, 1947
Obraztsov, S.V. The Chinese Puppet Theater, Faber and Faber, London, 1961
Ou-Yang Yu-ch'ien "The Modern Chinese Theater and the Dramatic Tradition," CL, XI (1959), 102-123
P'an, Hsia-feng The Stagecraft of Peking Opera, 1st ed. New World Press, Beijing, 1995
Peng Chen "Talk at the Festival of Peking Opera on Contemporary Themes," Peking Review, VII (Aug. 7, 1964), 6-11
Pronko, Leonard C. Theater East and West, Berkeley, 1967
Ricks, Christopher ed. English Drama to 1710, Sphere, London, 1971
Riley, Jo Chinese Theater & the Actor in Performance, Cambridge Univ.press, UK, 1997
Riley, Jo and Else Unterrieder, ed. Haishi zou hao, Chinese Poetry, Drama and Literature of the 1980s, Bonn., 1989
Rimer, Thomas & Yamazaki Masakazu, trans.
On the Art of the No Drama, The Major Treatises of Zeami, Princeton, 1984
Salmony, Alfred Antler & Tongue: An Essay on Ancient Chinese Symbolism & Its Implications, Ascona, Switzerland, 1954
Schindler, Bruno "The Development of the Chinese Conception of Supreme Beings, "Asia Major I:298-352, 1923
Schipper, K. M. "The Divine Jester, Some Remarks on the Gods of the Chinese
Marionette Theater," Bulletin of The Institute of Ethnology, 1966
Scott, A.C. The Classical Theater of China, George Allen & Unwin, London, 1957
Literature & the Arts in Twentieth Century China, Anchor Books, NY 1963,
Chinese Costume in Transition, Singapore, 1958,
Traditional Chinese Plays, Univ. of Wisconsin Press, London & Madison, 1967
"Contemporary China: Facts vs. Fancy. " Theatre Arts, XLV, iv (1961), 54-55, 76-77
"Hung Teng Chi, An Example of Contemporary Chinese Dramatic Experimentation," Modern Drama, IX, iv (Spring 1967), 404-411
An Introduction to the Chinese Theater, Theater Arts Books, NY, 1959, c1958
Shen, Guangre Grant Theater Performance During the Ming Dynasty, Ph.D. thesis, Univ. of Hawaii, 1994
Shi, Song Interview with Beijing Opera Actor Sun Yuan-pin, in Echo of Things Chinese , Special Issue on Zhong Kui, 6-7, ed. Linda Wu
Siu Wang-Ngai & Peter Lovrick Chinese Opera: Images & Stories, Univ. of British Colombis Press, Vancouver, 1997
Snow, Lois Wheeler China on Stage: An American Actress in the People's Republic, Random House, NY, 1972
Strassberg, Richard "The Singing Techniques of K'un-ch'u and Their Musical Notation," Chinoperl Papers 6 (1976), pp. 45-81
Tanaka, Issei "Development of Chinese Local Plays in the 17th and 18th Centuries," Acta Asiatica 23:42-62
Tannebaum, Gerald " Another Triumph in Chinese Ballet," Eastern Horizon, v. xii (Dec.1966), 21-29
"The Living Peking Opera" Eastern Horizon, Ivm viii (Aug.1965), 5-15
Tatlow, Antony & Wong, Tak-wai ed. Brecht & East Aisna Theater: the Proceedings of a Conference on Brecht in East Asian Theatre, Hong Kong Univ.Press, 1982
Tung Ch'en-sheng Paintings of Beijing Opera Characters (1st ed.), Zhaohua Pub. House, Beijing, 1981
Wagner, Rudolf G. The Contemporary Chinese Historical Drama: Four Studies, Berkely, 1990
Wang Chao-wen "Persist in the Revolutionary Direction--After Watching Numbers Presented During the Festival of Peking Operas on Contemporary Themes," SCMM, 437 (Oct.5, 1964), 7-22
"Some Reflections on Peking Operas With Contemporary Themes" CL, x (1964), 101-109
Ward, Barbara "Not Merely Players: Drama, Act & Ritual in Traditional China," Man n.s. 14:18-39
Wen Yang " New Life for Peking Opera" CL, IX (1964), 94-102
Wichmann, Elizabeth Listening to Theater , Hawaii Univ. Press, Honolulu, 1991
They Sing Theatre the Aural Performance of Beijing Opera, (microform), Univ. of Hawaii, 1983
Wickham, Glynne A History of the Theatre (2nd edition), Phaidon Press Limited, London, 1992 (History of western theater)
Williams, C.A.S. Outlines of Chinese Symbolism & Art Motives, NY 1976
Wong, Isabel "The Printed Collections of K'un-ch'un Arias and Their Sources," Chinoperl Papers 8 (1978), pp. 29-100
Yang Richard F.S. "The Reform of Peking Opera Under the Communists," China Quarterly ,XI ( July/sept.1962), 124-139
Yu Wen "Peking Stage in 1958," CL, III (1959), 140-144
Zhang Xiao Yang Shakespeare in China: A Comparative Study of Two Traditions and Cultures, Univ. of Delaware Press, Neward, Associated Unive.Presses, London, 1996
Zucker , A.E. The Chinese Theater, Little, Brown and Co., Boston, 1925
Zung, Cecilia L. Secrets of the Chinese Drama: A Complete Explanatory Guide to Actions & Symbols as Seen in the Performance of Chinese Dramas, London & Shanghai, Kelly and Walsh, NY, Blom,
An Oxford Anthology of Contemporary Chinese Drama, HK, NY, 1997
Conference on Chinese Oral & Performing Literature Chinoperl Papers, Cornell Univ. , Ithaca, NY., 1976
Taking the Bandit's Stronghold, Model Peking Opera on Contemporary Revolutionary Theme, Colombo Afro-Asian Writers Bureau, 1967
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