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TonyWang's Peking Opera本篇目錄





Chinese Opera Reading List

Buck, Pearl S., trans. All Men Are Brothers. Rev. ed. Taipei: Hsin Lou Publishing Crump, J.I. Chinese Theatre in the Days of Kublai Khan. Tucson: University of Arizona Press Dolby, William. A History of Chinese Drama. New York: Hatper and Row Eight Chinese Plays. New York: Columbia University Press I978 Fu Qifeng. Chinese Acrobatics through the Ages. Beijing: Foreign Languages Press 1985 Gao Ming. The Lute. Translated by Jean Mulligan. New York: Columbia University Press 1980 Hsu Tao-Ching. The Chinese Conception of the Theatre. Seattle: University of Washington Press I985 Hung, Josephine Huang. Classical Chinese Plays. Taipei: Mei Ya Publications 1972 Lo Kuan-chung. Romance of the Three Kingdoms. Translated by C.H. Brewitt-Taylor. Chinese Classics Series in English. Taipei: Caves Publishing 1925 Mackerras, Colin. Chinese Drama: A Historical Approach. Beijing: New World Press 1990 --. Chinese Theater. Honolulu: University of Hawaii Press 1983 --. The Chinese Theatre in Modern Times. London: Thames and Hudson x975 Tsao Hsueh Chin. Dream of the Red Chamber. Translated by Chi-Chen Wang. New York: Twayne Publishers 1958 Tung, Constantine, and Colin Mackerras. Drama in the People's Republic of China. Albany: State University of New York Press 1987 Wang Kefan. The History of Chinese Dance. Beijing: Foreign Languages Press 1985 Wu Ch'eng-en. Monkey. Translated by Arthur Waley. John Day Company. New York: Grove Press 1943 The following material is provided by Wang Ying Alley, Rewi Peking Opera: An Introduction Through Pictures, New World Press, Peking, 1957 Arlington, Lewis Charles The Chinese drama from Earliest Times Untill Today, Kelly& Walsh, Ltd., Shanghai, 1930 With Acton, Harold, tras.and ed. Famous Chinese Plays, Peking, 1937 Bailey, Roger B. Guide to Chinese Poetry & Drama--the Asian Literature Bibliography Series, G.K. Hall, Boston, 1973 Batchelder, Marjorie Rod Puppets & the Human Theater, Columbus, 1947 Birch, Cyril The Peony Pavilion, Indiana University Press, Bollmington, 1980 Scenes for Mandarins: The Elite Theater of the Ming, Columbia University Press, New York, 1995 "Some Concerns and Methods of Ming chuan-ch'I Drama," Studies in Chinese Literary Genres, ed. Cyril Birch, University of California Press, Cyril Birch, 1974 Bodde, Derk Festivals in Classical China, Princeton, 1975 Bowers, Faubion Theatre in the East (1956), Brove Press, NY 1960 Brandon, James Theatre in Southeast Asia, Cambridge, MA, 1967 Brockett, Oscar G., History of the Theatre, 7th edition, S Simon & Schuster Compary, Massachusetts, 1995 ( history of western theater) Buss, Kate Studies in the Chinese Drama, NY 1930 Caroselli, Susan ed. Quest for Eternity: Chinese Sculptures From the People's Republic of China, London, 1987 Chang, H.C., Chinese Literature: Populare Fiction & Drama, Edinburgh University Press, Edinburgh, 1973 Chen, Jack The Chinese Theater, London, 1940 The Chinese Theater, International Theater and Cinema, Dobson, London, 1949 Ch'en Ch'i-t'ung "Cheers for Revolutionary Peking Opera on Contemporary Themes," SCMM (Selections from China Mainland Magazines, HK), 435 (Sep.22, 1964), 23-27 Chiang Chi'ing On the Revolution of Peking Opera, Foreign Languages Press, Peking, 1968 Ching Chung-hwa "The Chinese Theater in Western Europe," CR (China Reconstructs, Peking) , XIII, xii (Dec.1964), 16-18 Chou Hsin-fang "Peking Opera Enters New Era: A Discussion by Nine Artistes," CR, XIII, ix (Sep.1964), 2-11 Chu Chia-chien The Chinese Theater, London, 1922 Chung-wen, Shih The Golden Age of Chinese Drama: Yuan Tsa-chu, Princeton Unvi. Press, 1976 Clark, Barrett Harper World Drama: Ancient Greece, Rome, India, China, Japan, Medieval Europe, and England, Dover, NY, 1933 Cornaby, W. Arthur "Notes on the Chinese Drama and Ancient Choral Dances," New China Review, vol. I, No.6, p.57 Craig, Edward G. On the Art of Theatre , London, 1914 Crump, J. I. "Giants in the Earth: Yuan Drama as Seen by Ming Critics," in Chinese and Japanese Music Dramas, edited by J.I. Crump and William P. Malm, Univ.of Michigan, Ann Arbor, 1975, pp.1-63 Daniel Shih-p'eng, Yang The Traditional Theatre of China in Its Contemporary Setting: An Examination of the Patterns of Change Within the Peking Theatre Since 1949, the Univ.of Wisconsin (Ph.D. thesis), 1968 An Annotated Bibliography of Materials for the Study of the Peking Theater, Wisconsin China Series, no.2, Madison, 1967 Dolby, William A History of Chinese Drama, Harper & Row Publishers, NY, 1976 "The Origins of Chinese Puppetry", Journal of the School of Oriental and African Studies 4, 1:97-120, 1978 Eberhard, Wolfram "Oracle & the Theater in China," in Studies in Chinese Folklore & Related Essays, ed. Wolfram Eberhard, Bloomington, 1970 A Dictionary of Chinese Symbole, London, 1986 Ernst, Earle "The Case for Oriental-Western Theater Study," Supplement to Yearbook of Comparative and General Literature (1962), 177-182 Fischer-Lichte, Erika, Josephine Riley & Michael Gissenwehrer, eds. The Dramatic Touch of Difference, Theatre, Own & Foreign, Tubingen, 1990 Frankel, Ch'ung-ho Chang " The Practice of K'un-ch'un Singing from the 1920 to the 1960," Chinoperl Papers 6 (1976), pp. 82-92 Gamble, S.D. ed. Chinese Village Plays, Philo Press, Amsterdam, 1970, Schram, NY, 1972 George, David E.R. "Ritual Drama: Between Mysticism & Magic," Asian Theatre Journal 4, 2 (Fall), 127-66 Giles, Herbert A. A Chinese Biographical Dictionary Grant, Shen Guangren Theater Performance During the Ming Dynasty, Ph.D. thesis, Univ. of Hawaii, 1994 Halson, Elizabeth Peking Opera: a Short Guide, Oxford Univ.,Hong Kong, NY., 1966 Ho Ming "The Promotion of Modern Plays," SCMM, 407 (March 9, 1964), 28-31 Howard, Roger Contemporary Chinese Theater , Heinemann, London, c1978 Hsieh Hsuan "In Re-writing a Play, Can We Change Its Main Theme?" SCMM, 389 (Nov.4, 1963), 6-9 Hsein-kuan Ann-Marie Hsuing Seeking Women in Pre-modern Chinese Tests: A Feminist Re-vision of Ming Drama (1368-1644), Ph.D.thesis, Unvi. Of Hawaii, 1995 Hsiao Ch'ien "Ibsen in China (And the Chinese Annoyance at Bernard Shaw)", in his The Dragon Beards versus the Blueprints, Pilot Press, London, 1944 Hsu, Tao-Ching The Chinese Conception of Theatre, Seattle, 1985 Hopkins, L.C. "The Shaman or Wu: A Study in Graphic Camouflage", New China Review, 2, 5 (Oct.) 1920 "The Shaman or Chinese wu: His Inspired Dancing & Versatile Character", Journal of the Royal Asiatic Society: 3-6, 1945 Hua Fu "Curses Are Vain: Refuting the Slanden of Imperialists and Revisionists on Our Dramatic Work," SCMM, 437 (Oct.5, 1964),1- 6 Huang Tsung-ying "Masters of Life, Masters of the Stage: Random Thoughts on the Extensive Production of Modern Plays," SCMM (Mar. 16, 1964), 37-41 Huang Shang Tales from Peking Opera (1st ed.), New World Press, Beijing, 1985 Hung, Jasephine Huang Chinese Drama-Ming Dynasty, 1368-1644--History & Criticism, Heritage Press, Taipei, 1966 Idema, Wilt & Stephen H. West Chinese Theater 1100-1450: A Source Book, Franz Steiner Verlag, Wiesbaden, 1982 Ed.& trans. The Moon and the Zither: The Story of the Western Wing by Wang Shifu, Berkeley, 1991 Jiang Tsui-fen Gender Reversal: Women in Chinese Drama Under Mongo Rule (1234-1368), Ph.D. thesis, Univ. of Washington, (Microfilms), 1991 Johnson, David, ed. Ritual Opera" Operatic Ritual, Mu-lien Rescues His Mother in Chinese Popular Culture, Oakland, 1989 Johnston, R.F. The Chinese Drama, Shanghai, 1921 Judd, Ellen Ruth Revolution in the Theater in the P.R.China, Kalvodova-sis-Vanis Chinese Theater, Spring Books, London, n.d. 1957 Kagan, Alan Lloyd Cantonese Puppet Theatre: An Operatic tradition & its Roots in the Chinese Belief System, Ann Arbor (Ph.D. thesis), 1978 Keng Jen-hsin "New Heroes on the Peking Opera Stage," CR, XIII, viii (1964), 2-5 Kleist, Heinrich von "A Marionette Theatre," trans. Dorothea McCollester, Theater Arts Monthly, July, 476-84 Ko Ching-shih "The Class Basis of Chinese Drama", Cluture & Agitation: Theater Documents, Action Books, London, 1972 K'o Ch'ing-shih "A Flourishing Theater to Serve the Socialist Economic Base," Peking Review, VII (Aug.28, 1964), 14-26 Kuo Han-cheng "New Development in the Traditional Chinese Theater," CL(Chinese Literature), I (1960), 127-139 "On the Adaptation of China's Classical Drama," CL, XII (Dec.1962), 100-108 Lammer, Raymond John An Analysis of A Representative Sample of Plays Written and Used for Propagandistic Purposes by the Chinese Communists, (Ph.D. thesis), Univ.of Minnesota, 1962 Latsch, Marie-Luise Peking Opera as An European Sees It, New World Press, Beijing, 1980 Leung, K. C. Hsu Wei as Drama Critic: An Annotated Translation of the Nan-tz'u hsu-lu, Univ. of Oregon, Eugene, 1988 Li Ruru "Chinese Traditional Theater & Shakespeare," Asian Theatre Journal 5, 1 Spring 1988: 38-49 Li Ch'I "Firmly Carry the Revolution of Peking Opera to the End," SCMM, 435 (Sep.22, 1964), 28-33 Liu, James J. Y. "Elizabethan & Yuan, a Brief Comparison of Some Conventions in Poetic Drama," Occasional Papers of the China Society, London, no.8, 1955, 1-12 Liu, Hon-sheng "Re-writing Is A Good Measure for the Enrichment of New Dramatic Repertoire, " SCMM, 389 (Nov.4, 1963), 10-14 Liu, Marjorie Bang-ray "The Influence of Tonal Speech on K'un-ch'u Opera Style" Selected Reports in Ethnomusicology, 2.1 (1974), pp. 63-86 Long, Roger Character Development in Contemporary Communist Chinese Drama, (Master's thesis), Michigan State Univ. 1966 Lopes, Manuel D. Chinese Drama: An Annotated Bibliography of Commentary, Criticism, and Plays in English Translation, Scarecorow Press, N.J., 1991 Lu Ting-yi "For More and Finer Peking Operas on Contemporary Themes" Peking Review, VII (June12, 1964), 7-9 MacKerras, Colin Amateur Theatre in China 1949-1966 Canberra, Australian National Univ. Press Contemporary China Papers #5, 1973 inese Theater: from Its Origins to the Present Day, Univ. of awaii Press, Honolulu, 1983 The Chinese Theater in Modern Times From 1840 to the Present Day, London, 1975 The Rise of the Peking Opera: 1770-1870: Social Aspects of theeater in Manchu China , NY and Oxford, Oxford Univ. Press, 972 "The Growth of Chinese Regional Drama in the Ming & Ch'ing", Journal of Oriental Studies, Hong Kong Unvi.1971, vol.9, no.1, pp.58-91 "Chinese Opera after the Cultural Revolution (1970-72)," The China Quarterly, London, no.55, July-September 1973, pp. 478-510 The Theater in Asian, London, 1972, NY 1973 Ed. Drama in the People's Republic of China, state Univ. of NY Press, Albany, 1987 (Selected papers presented at the Inter national Colloquium on Contemporary Chinese Drama and theater, held at the State Unive. Of NY at Buffalo, Oct. 15-19, 1984) Peking Opera: Images of Asia, Oxford Univ. Press HK, NY, 1997 Mair, Victor H. T'ang Transformation Tests: A Study of the Buddhist Contribution to the Rise of Vernacular Fiction and Drama in China, Cambridge, MA, 1989 Meserve, Walter J Modern Drama from Communist China, NY. 1970 Misumi, Haruo, gamo Satoaki & Hata Hisashi, eds. Masked Performances in Asia, Tokyo, 1987 Mohr, Charles "Opera Rewritten by Mao's Wife in Rift with Liu over Party Line,' New York Times, June 2, 1967 Moule, A.C. "A List of the Musical & other Sounding Instruments of the Chinese," Journal of the North-China Branch of the Royal Asiatic Sociey, Vol. XXXIX, 1908 Nivat, Dhani "The Shadow Play as A Possible Origin of the Masked Play, "Journal of the Asian Society 37, 1, 1947 Obraztsov, S.V. The Chinese Puppet Theater, Faber and Faber, London, 1961 Ou-Yang Yu-ch'ien "The Modern Chinese Theater and the Dramatic Tradition," CL, XI (1959), 102-123 P'an, Hsia-feng The Stagecraft of Peking Opera, 1st ed. New World Press, Beijing, 1995 Peng Chen "Talk at the Festival of Peking Opera on Contemporary Themes," Peking Review, VII (Aug. 7, 1964), 6-11 Pronko, Leonard C. Theater East and West, Berkeley, 1967 Ricks, Christopher ed. English Drama to 1710, Sphere, London, 1971 Riley, Jo Chinese Theater & the Actor in Performance, Cambridge Univ.press, UK, 1997 Riley, Jo and Else Unterrieder, ed. Haishi zou hao, Chinese Poetry, Drama and Literature of the 1980s, Bonn., 1989 Rimer, Thomas & Yamazaki Masakazu, trans. On the Art of the No Drama, The Major Treatises of Zeami, Princeton, 1984 Salmony, Alfred Antler & Tongue: An Essay on Ancient Chinese Symbolism & Its Implications, Ascona, Switzerland, 1954 Schindler, Bruno "The Development of the Chinese Conception of Supreme Beings, "Asia Major I:298-352, 1923 Schipper, K. M. "The Divine Jester, Some Remarks on the Gods of the Chinese Marionette Theater," Bulletin of The Institute of Ethnology, 1966 Scott, A.C. The Classical Theater of China, George Allen & Unwin, London, 1957 Literature & the Arts in Twentieth Century China, Anchor Books, NY 1963, Chinese Costume in Transition, Singapore, 1958, Traditional Chinese Plays, Univ. of Wisconsin Press, London & Madison, 1967 "Contemporary China: Facts vs. Fancy. " Theatre Arts, XLV, iv (1961), 54-55, 76-77 "Hung Teng Chi, An Example of Contemporary Chinese Dramatic Experimentation," Modern Drama, IX, iv (Spring 1967), 404-411 An Introduction to the Chinese Theater, Theater Arts Books, NY, 1959, c1958 Shen, Guangre Grant Theater Performance During the Ming Dynasty, Ph.D. thesis, Univ. of Hawaii, 1994 Shi, Song Interview with Beijing Opera Actor Sun Yuan-pin, in Echo of Things Chinese , Special Issue on Zhong Kui, 6-7, ed. Linda Wu Siu Wang-Ngai & Peter Lovrick Chinese Opera: Images & Stories, Univ. of British Colombis Press, Vancouver, 1997 Snow, Lois Wheeler China on Stage: An American Actress in the People's Republic, Random House, NY, 1972 Strassberg, Richard "The Singing Techniques of K'un-ch'u and Their Musical Notation," Chinoperl Papers 6 (1976), pp. 45-81 Tanaka, Issei "Development of Chinese Local Plays in the 17th and 18th Centuries," Acta Asiatica 23:42-62 Tannebaum, Gerald " Another Triumph in Chinese Ballet," Eastern Horizon, v. xii (Dec.1966), 21-29 "The Living Peking Opera" Eastern Horizon, Ivm viii (Aug.1965), 5-15 Tatlow, Antony & Wong, Tak-wai ed. Brecht & East Aisna Theater: the Proceedings of a Conference on Brecht in East Asian Theatre, Hong Kong Univ.Press, 1982 Tung Ch'en-sheng Paintings of Beijing Opera Characters (1st ed.), Zhaohua Pub. House, Beijing, 1981 Wagner, Rudolf G. The Contemporary Chinese Historical Drama: Four Studies, Berkely, 1990 Wang Chao-wen "Persist in the Revolutionary Direction--After Watching Numbers Presented During the Festival of Peking Operas on Contemporary Themes," SCMM, 437 (Oct.5, 1964), 7-22 "Some Reflections on Peking Operas With Contemporary Themes" CL, x (1964), 101-109 Ward, Barbara "Not Merely Players: Drama, Act & Ritual in Traditional China," Man n.s. 14:18-39 Wen Yang " New Life for Peking Opera" CL, IX (1964), 94-102 Wichmann, Elizabeth Listening to Theater , Hawaii Univ. Press, Honolulu, 1991 They Sing Theatre the Aural Performance of Beijing Opera, (microform), Univ. of Hawaii, 1983 Wickham, Glynne A History of the Theatre (2nd edition), Phaidon Press Limited, London, 1992 (History of western theater) Williams, C.A.S. Outlines of Chinese Symbolism & Art Motives, NY 1976 Wong, Isabel "The Printed Collections of K'un-ch'un Arias and Their Sources," Chinoperl Papers 8 (1978), pp. 29-100 Yang Richard F.S. "The Reform of Peking Opera Under the Communists," China Quarterly ,XI ( July/sept.1962), 124-139 Yu Wen "Peking Stage in 1958," CL, III (1959), 140-144 Zhang Xiao Yang Shakespeare in China: A Comparative Study of Two Traditions and Cultures, Univ. of Delaware Press, Neward, Associated Unive.Presses, London, 1996 Zucker , A.E. The Chinese Theater, Little, Brown and Co., Boston, 1925 Zung, Cecilia L. Secrets of the Chinese Drama: A Complete Explanatory Guide to Actions & Symbols as Seen in the Performance of Chinese Dramas, London & Shanghai, Kelly and Walsh, NY, Blom, An Oxford Anthology of Contemporary Chinese Drama, HK, NY, 1997 Conference on Chinese Oral & Performing Literature Chinoperl Papers, Cornell Univ. , Ithaca, NY., 1976 Taking the Bandit's Stronghold, Model Peking Opera on Contemporary Revolutionary Theme, Colombo Afro-Asian Writers Bureau, 1967
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