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Peking Opera News LetterEnglish Version
edited by Tony WangEnglish Version
Bibliography of Chiese Theater/Music
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Bibliography
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.C. Scott(Tr.): Traditional Chinese Plays Translated,
.S. Allen: Chinese Theatres Handbook. Tientsin nd(1920s). 56pp. Illust.
ack Chen: The Chinese Theatre. London nd[ca. 1948].
Yu Shiao-Ling. 1997. Chinese Drama Since the Cultural
Revolution: An Anthology (translated from the Chinese) .
Lewiston, NY: Edwin Mellen Press.
Wang Ch'iu Kuei. 1995. "Studies in Chinese Ritual and Ritual
Theater: a Bibliographical Report." CHINOPERL Papers 18:115-130.
Qin Shao. 1996. "The Mismatch: Ouyang Yuqian and Theater Reform
in Nantong 1919-1922. CH/NOPERL Papers 19:39-65.
Yang Mu. 1993. Chinese Musical Instruments: An Introduction ?
Canberra: Australian National University. Reviewed by:
J. Lawrence Witzleben. 1996. China Review International
3(2)'379-81.
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Variations: Writing on Music in Honor of Rutan Chao Pian.
Cambridge: Harvard University; Hong Kong: Chinese University of
Hong Kong. Reviewed by:
Blum, Stephen. 1995. ICTM Yearbook for Traditional Music
27:177-78. Fujie, Linda. 1995. The World of Music 37(3):89-92.
Zha Jianying. 1995. China Pop: How Soap Operas, Tabloids, and
Bestsellers Are Transforming a Culture. New York: The New Press.
Reviewed by:
Mccormick, Barrett. 1996. China Journal 35:182-83.
Micic, Peter. 1996. ACMR Reports 9(2):28-29.
Lei, Daphne Pi-Wei. 1996. "Wang Zhaojun on the Border: Gender
and Intercultural Conflicts in Premodem Chinese Drama." Asian
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Liu Guiteng. 1996. "Shamanism and the Musical Instruments Used
in the Manchurian Shamanistic Sacrificial Rituals (tiaoshen): An
Ethnomusicological Examination of Shengu (Shamanic Drum) and
Yaoling (Waistbell)." ACMR Reports 9(2):1-20.
Sun Mei. 1994. "Xiqu's Problems in Contemporary China." Journal
of Contemporary China 6:74-83.
Du Wenwei. 1995. 'Xuetou: Comic Elements as Social Commentary in
Suzhou Pinghua Storytelling." CHINOPERL Papers 18:3344.
Hung Chang-tai. 1996. "The Politics of Songs: Myths and Symbols
in the Chinese Communist War Music." Modern Asian Studies
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to huju). Shanghai shi renmin hujutuan, ed., Huju qudiao, rev.
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Shi Meng and Di Zi, eds. 1986. "Shi Chunxuan yishi ji' (A record
of the artistic life of Shi Chunxuan). Shanghai xiqu shiliao
huicui 2: 56-64.
Wang Yaqin, narr. 1986. "Huiyi Wang Xiaoxin" (Remembering Wang
Xiaoxin), transcr. and ed. Zhang Jianjing. Shanghai xiqu shiliao
huicui 2: 32-35.
Du Yaxiong. 1993. Zhongguo ge shaoshu minzu minjian yinyue
gaishu (A survey of the folk music of each of China's minority
nationalities) . 3 vols. Beijin~ Renmin yinyue chubanshe.
Reviewed by:
Harris, Rachel. 1996. CHIME 9:14142.
Xia Fulin, narr. 1986. "Xue chang tanhuang wushi chun" (Fifty
years learning to sing tanhuang), transcr. and ed. Fang Yu.
Shanghai xiqu shiliao huicui 2: 69 -79.
Xiao Wenbin, narr. 1986. "Wo de zizhuan' (My autobiography)
transcr. and ed. Zhang Jianqing, Wang Chuanjiang and Li Zhiyan.
Shanghai xiqu shiliao huicui 2: 3,547.
Xu Ke, ed. 1917. Qing bai lei chao (Notes on many things of the
Qing period), vol. 36. Shanghai: Shangwu yinshuguan.
Lingyun, narr. 1986. "Shanghai de jiushi xiyuan-'chayuan"'
(Shanghai's old-form theaters--'tea gardens') transcr. Guan
Ji'an and ed. Lu Eting. Shanghai xiqu shiliao huicui 1: 83-87.
Yang Meimei, narr. 1986. "Yishi man yi," (Many recollections of
an artistic life), transcr. and ed. Zhou Jingnan and Yu Xiufen.
Shanghai xiqu shiliao huicui 2: 82-94.
Yue Zheng. 1991. Jindai Shanghairen shehui xintai (1860-1910)
(The social mentality of recent Shanghainese, 1860-1910) .
Shanghai: Shanghai renmin chubanshe.
Zhang Caixia, narr. 1986. "Wo yu xibeng" (Xibang and me),
transcr. and ed. Zhu Liaozu. Shanghai xiqu shiliao huicui 2:
100-3.
Zhao Yunwu. 1986. "Sishi nian huju shengya manyi" (Recollections
of forty years of life in huju). Shanghai xLqu shiliao huicui 1:
52-56.
Wen Mu and Yu Shuren. 1986. "Cong huaguxi dao bendi tanhuan~
huju zaoqi lishi gailun" (From huaguxi to bendi tanhuang: on the
early history of huju). Shanghai xiqu ziliao huicui 2: 2-8.
Bo Senhai, ed. 1987. Huaiju yinyue fi qi changqiang liupai Crhe
music of huaiju opera and its vocal schools). Shanghai: Shanghai
yinyue chubanshe.
Chen Yibing. 1989. "Xiju de xingcheng he fazhan' (The formation
and development of xiju [Wuxi] opera). Jin Yi et al., eds., Xiju
chuantong jumu kao lae, 9-20. Shanghai: Shanghai wenyi
chubanshe.
Da Fengrno and Gao Zhenmei. 1983. "Tanhuang." Zhang Geng et al.,
eds., Zhongguo dabaikequanshu: xiqu, quyi, 361. Beijing:
Zhongguo dabaikequanshu chubanshe.
Ding Guobin. 1986. 'Huju jiefang qian ge fazhan jieduan de
changpian jian jie' (A brief introduction to each stage of
development in the field of huju recordings before Liberation).
Shanghai xiqu shiliao huicui 2: 15-19.
Ding Huiqin, narr. 1986. "Huiyi baqin Ding Shaolan' (Remembering
my father, Ding Shaolan), transcr. and ed. Ruan Jun, Zhu Liaozu,
and Feng Chunni. Shanghai xiqu shiliao huicui 2: 29-31?
Ding Wan'e, narr. 1986. '~Nan-Lan she, ertong shenqu ji qi ta'
Crhe Wan-Lan troupe, children's shenju, and other matters),
transcr. and ed. Zhou Jingnan and Yu Xiufen. Shanghai xiqu
shiliao huicui 2: 94-98.
Dong Yuan. 1983. "Huju." Zhang Geng et al., eds., Zhongguo
dabaikequanshu: xiqu, quyi, 126-27. Beijin~ Zhongguo
dabaikequanshu chubanshe.
Schimmelpenninck, Antoinet.1990. "Hundred Years of Folk Song
Studies in China." Chime 2:4-27
? 1995. "Chinese Folk Singers in Jiangsu Province (1)." Chime 8:
32-58.
Stock, Jonathan P. J. 1996. Musical Creativity in
Twentieth-Century China: Abing, His Music, and Its Changing
Meanings. Rochester: University of Rochester Press.
Mackerras, Colin P. 1975. The Chinese Theatre in Modern Times:
From 1840 to the Present Day. London: Thames and Hudson.
Blacking, John. 1995? "The Study of Musical Change." Reginald
Byron, ed. Music, Culture, and Experience: Selected Papers of
John Blacking, 148-73. Chicago: Chicago University Press.
[Originally published as "Some Problems of Theory and Method in
the Study of Musical Change." Yearbook of the International Folk
Music Council 9 (1977): 1-26.]
Witzleben, J. Lawrence. 1995. "Silk and Bamboo" Music in
Shanghai: The Jiangnan Sizhu Instrumental Ensemble Tradition.
Kent, Ohio: Kent State University Press.
Bordahl, Vibeke. 1995. "Narrative Voices in Yangzhou
Storytelling." CHINOPERL Papers 18:1-32.
---. 1996. The Oral Tradition of Yangzhou Storytelling. Nordic
Institute of Asian Studies Monograph Series, No. 73. Richmond
UK: Curzon Press.
Brandl, Rudolf. 1991. Nuo-Geistermasken aus Anhui (China) (Nuo
spirit masks from Anhui) . Ausstellung des
musikwissenschaftlichen und Ostasiastischen Seminars der
Universitat Gottingen. Gottingeru Edition Re. Reviewed by:
Riley, Jo. 1996. CHIME 9:13840.
Dibello, Michelle. 1996. "Longing for Worldly Pleasures: An
Example of the Sacred vs. the Profane in Contemporary Chinese
Drama." CHINOPERL Papers 19:67-78.
Gunzel, Marcus. 1994. Die Morgen~ und Abend-liturgie der
Chinesischen Buddhisten. Gottingen: Seminar fur lndologie u.
Buddhismusikunde.
Harbeck, James. 1996. "The Quaintness-and Usefulness--of the Old
Chinese Traditions: The Yellow Jacket and Lady Precious Stream."
Asian Theatre Journal 13(2):23847.
Helffer, Mireille. 1995. Mchod-rol: Les instruments de la
musique tibetaine (with 1 compact disc). Paris: CNRS editions:
Editions de la Maison des sciences de l'homme de Paris. Reviewed
by:
Ducor, Jerome. 1995. Cahiers de Musiques Traditionnelles
8: 235-37. Egert, Nina. 1995-96. As/an Mus/c 27(1):157-62.
Schrempf, Mona. 1996. Tibet Journal 21(3):73-75.
--. 1995. "Quand le terrian est un monastere tibetaine." Cahiers
de Musiques Traditionnelles 8:69-84.
S2 ACMR Reports, Spring 1997
Johnson, Geir. 1995-96. "En rituel magiker: Vesten i sten er
tema i den kinesiske komponist Tan Duns musik" (Ritual magic:
Western and Eastern themes in the music of the Chinese composer
Tan Dun). Dansk musik tidsskri~ 70(8):264-68.
Stephen. 1995. Folk Music of China: Living Instrumental
Traditions. Oxford: Clarendon Press; New York: Oxford University
Press. Reviewed by:
Kouwenhoven, Frank. 1996. CHIME 9:14346.
Stock, Jonathan P.J., 1996. Music and Letters 77(3):483-84.
-. 1996. "Source and Strearm Early Music and Living Traditions
in China."
Early Music 24(3):374-88.
Kuo Chang-yang. 1996. Chinese Art Song: A Melodic Analysis. 2nd
ed. Taipei: Yueh-Yuhn.
Kuzay, Stefan. 1995. Das Nuo yon Guichi: Eine Untersuchung zu
religiosen Maskenspielen im sudlichen Anhui. FrankfuR am Main;
New York: Peter Lang.
Lain, Joseph S.C. 1995. "Musical Relics and Cultural
Expressions: State Sacrificial Songs from the Southern Song
Court." Journal of Sung-Yuan Studies 25:1-27.
---. 1995. "Transnational Understanding of Historical Music:
State Sacrificial Music from the Southern Song, China (AD
1127-1279)." The World of Music 38(2):69-83.
Lau, Frederick. 1995-96. "Individuality and Political Discourse
in Solo Dizi Compositions." As/an Music 27(1):133-52.
Maceda, Jose. 1995. "A Logic in Court Music of the Tang
Dynasty." Acta MusicoIogia 67(2):10941.
Mackerras, Colin. 1996. "Chinese Traditional Theatre: A Revival
in the 1900's?" CHINOPERL Papers 19:79-94.
Mark, Lindy Li. 1995. "Food, Political Satire: Two Themes in
Sichuan Mulian Ritual Drama." CHINOPERL Papers 18:95-114.
Micic, Peter. 1996. "Pop Music Co~ds a Huge Audience Today: An
Interview with ~e Young Composer Li Lifu." CHINOPERL Papers
19:95-104.
Pegg, Carole. 1995. "Ritual, Religion and Magic in West
Mongolian (Oirad) Heroic Epic Performance." British Journal of
EthnomusicoIogy 4:77-100.
Reed, Thomas R. 1996. "Two Birds from China." Music Notation
News 6(4):22- 28.
Rees, Helen. 1995-96. "The Many Musics of a Chinese County Town:
A CaseStudy of Co-Existence in Lijiang, Yunnan Province." Asian
Music 27(1):63-102.
Salter, Denis. 1996. "China's Theatre of Dissent: . A
Conversation with Mou Sen and Wu Wenguang." Asian Theatre
Journal 13(2):218-28.
Schimmelpenninck, Antoinet. 1995. "Recherches dans la province
du Jiangsu (Chine) ." Cahiers de Musiques Traditionnetles
8:33-57.
Schimmelpenninck, Antoinet and Frank Kouwenhoven. 1995. "Female
Folk Singers in Jiangsu, China." In Ethnomusicology in the
Netherlands: Present Situation and Traces of the Past, ed. Wim
van Zanten and Marjolijn J. van Roon, 261-74. Oideion: The
Performing Arts Worldwide, voI. 2. Leiden: Centre of Non-Western
Studies, Leiden University.
Steen, Andreas. 1996. Der Lange Marsch des Rock & Roll: Pop-
und Rockmusik in der Volksrepubtik China. Hamburg, Munster:
LIT-Verlag.
Stock, Jonathan P.J. 1996. Musical Creativity in
Twentieth-Century China:
Abing, His Music, and Its Changing Meanings. Rochester:
University of Rochester Press.
----. 1996. World Sound Matters: An Anthology of Music from
Around the World, 3 vols. London: Schott Educational (includes
four units on Chinese music).
--. 1996. "Performances of Nanxi." As/an Theatre Journal
13(2):141-66.
Szlagowska, Danuta. 1996 ? Kultura muzyczna antyku (Musical
culture of antiquity). Skrypty i podreczniki, No. 26. Gdansk:
Akademia Muzyczna ira. Stanislawa Moniuszki (with chapter on
Chinese musical culture and intellectual history).
Tan Sooi Beng. 1994. "From Syncretism to the Development of
Parallel Cultures: Chinese-Mahy Cultural Interaction in
Malaysia." In Music-Cultures in Contact: Convergences and
Collisions, ed. Margaret J. Kartomi and Stephen Blurn, 220-32.
Australia: Gordon and Breach.
Trebinjac, Sabine. 1995. "Fernme, seule et venue d'ailleurs:
trois atouts d'une ethnomusicologue au Turkestan chinois."
Cahiers de Musiques Traditionnelles 8:59-68.
Vanness Simmons, Richard. 1995. "The Oral Transmission of a Late
NineteenthCentury Harngjou Lyric.' CHINOPERL Papers 18:45-60.
Witzleben, J. Lawrence. 1995. 'Silk and Bamboo' Music in
Shanghai: The Jiangnan Sizhu Instrumental Ensemble Tradition.
Kent: Kent State
University Press.
Reviewed by:
Jones, Stephen- 1995 ? British Journal of Ethnomusicology
4:176-78. Kouwenhover~ Frank. 1996. CH/ME 9:14346.
Stock, Jonathan P.J., 1996 ? Music and Letters 77(2):301-302.
Liu, Terry. 1996. China Review International 3(2)'373-75.
Wong, Isabel K.F. 1997. "The Music of China." In Excursions in
World Music, ed. Bruno Nettl et al., 69-103. Upper Saddle River,
NJ: Prentice-Hall.
Claus Peter. 1995. "Oral Epic Poetry in the Central Himalayas
(Garhwal and Kumaon)." European Bulletin of Himalayan Research
9:1-7.
George Kin Leung]: Mei Lan-Fang Foremost Actor of China. Shanghai 1929.
.C. Scott: The Classical Theatre of China. NY 1957.
ewi Alley: Peking Opera. Peking 1957.
alvodova-Sis-Vanish: Chinese Theatre. London nd. Quarto.
erhard Pommeranz-Liedtke: Kuan Liang. Gestalten und Szenen der Peking-Oper.
A.C. Scott: An Introduction to the Chinese Theatre. Singapore 1958. Illust.
A.C. Scott: The Theatre in Asia. NY 1973. Illust. Cloth.
(Clifford Odets in Chinese) Clifford Odets: Golden Boy. Shanghai:
Pacific Publishing 1948.
Chao Mei-Pa: The Yellow Bell. A Brief Sketch of the History of
Chinese Music. Maryland 1934.
A.E. Zucker: The Chinese Theater. Boston 1925. Plates.
L. C. Arlington and Harold Acton: Famous Chinese Plays. Peiping:
Henri Vetch 1937.
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DISSERTATIONS AND THESES
Allio, Fiozella. 1996. "Rituel, territoire et pouvoir local: le
procession du 'pays' de Sai-kang (Tainan, Taiwan)." Ph.D. diss.,
Departement d'Ethnologie et de Sociologie Comparative, Nanterre,
Paris (France).
Bemoviz, Nimrod. 1996. "The Chinese Diao: Modal Practice in
FifteenthCentury Qing Music." MA. thesis, University of
Pittsburgh CLI.S.).
Bu Bing. 1996. "Social Dimensions of Popular Songs in the
People's Republic of China During the 1980s." M.A. thesis,
University of Hawai'i (U.S.).
Chan, Margaret W.W. 1996. "The 'Yellow River Piano Concerto' as
a Site for Negotiating Cultural Spaces for a Diasporic Community
in Toronto." M.A. thesis, York University (Canada).
Chang, Peter M. 1995. "Chou Wen-Chung and His Music: A Musical
and Biographical Profile of Cultural Synthesis." Ph.D. diss.,
University of Illinois at Urbana-Champaign (U.S.).
Chen Shing-Lih. 1996. "The 'Yellow River Piano Concerto':
Politics, Culture, and Style." D.M.A. thesis, University of
British Columbia (Canada).
Hallis, Xiang Chen. 1995. "Chinese Art Song from 1912 to 1949."
D.M.A. thesis, University of Texas at Austin (U.S.).
LaFluer, Robert Andre. 1996. "A Rhetoric of Remonstrance:
History, Commentary, and Historical Imagination in Sima Guang's
'Zizhi Tongjian'." Ph.D. diss., History, University of Chicago
(U.S.).
Lee Chih-Chun. 1995. "Fan Jen: A Symphonic Poem on Taiwanese
Folk Songs." M.A. thesis, Music, Ohio University (U.S.).
Lee Shek-Kam. 1995. "Reading Between the Lines: The Rhythmic
Information in Qin Handbooks." M.A. thesis, University of
Pittsburgh (U.S.).
Steen, Andreas. 1995. "Populare Musik in der VR China: Zur
Entstehung und Botschaft der Rockmusik in Beijing." M.A. thesis,
Freie Universitat Berlin (Germany).
Vath, Andreas. 1995. "Rockmusik in Beijing: Aspekte von
Subkultur und Wertewandel in der urbanen Jugendszene Chinas."
M.A. thesis, Munchen University (Germany).
Wrochem, Miriam von. 1996. "Die zeitgenossische Musik der
chinesischen Avantgarde." M.A. thesis, Sinology,
Friedrich-Wilhems-University, Bonn (Germany).
Wu Ben. 1995. "Representation of Tibetan Music East and West:
The State of the Field." M.A. thesis, University of Pittsburgh
(U.S.).
Zhang Boyu. 1995. "Mathematical Rhythmic Structure of Chinese
Percussion Music: An Analytical Study of the Shifan Luogu
Collection." Licentiate thesis, Institute of Musicology, Turku
University (Finland).
Lai, Eric. 1996. "Concert Reporiz Festival of Sino-American
Music and Culture." 9(2):21-27.
Micic, Peter. 1996. "A Selected Annotated Discography of Pop and
Rock Albums in the People's Republic of China (1989-1995)."
9(2):37-52.
Myers, John E. 1996. "Conference Report: CHIME Bridges World
Music and Ethnomusicology: A Report from Rotterdarn." ACMR
Reports 9(1):4849.
Yeh Yueh-Yu. 1995. "A National Score: Popular Musk and Taiwanese
Cinema." Ph.D. diss., University of Southern California.
Theatre Insight, a journal of theatre and performance produced by
the University of Texas at Austin's Department of Theatre and
Dance
Training the Body for China: Sports in the Moral Order of the
People's Republic. By Susan Brownwell. Chicago: The University of Chicago
Press, 1995. 393 pp.
About Face: Performing Race in Fashion and Theater. By Dorinne
Kondo. New York and London: Routledge, 1997. 277 pp.
The Delicate Thread: Teshigahara's Life in Art. By Dore Ashton.
Tokyo, New York, London: Kodansha International, 1997. 208 pp.
Traditional Japanese Theater: An Anthology of Plays. Editor
Karen Brazell. New York: Columbia University Press. 464 pp. 200
illus.